Showing posts with label words by jean-paul rosette. Show all posts
Showing posts with label words by jean-paul rosette. Show all posts

25.9.11

95. HORRIBLE BOSSES.



I'm here to tell you about my Horrible Bosses moment.

Not my Boss, he’s not horrible- I have to say that, he reads this blog. Let me explain Mr Boss, if you are in fact reading this. I was talking about the movie “Horrible Bosses”. You see, I got involved in a spot of grooming for the Horrible Bosses Film Tour of Melbourne. Yeah I know what your thinking, me hanging out with Hollywood types like Jason Bateman, the charming Jason Sudeikis and the very funny Charlie Day is all soo glamorous. But to tell you truth, it was.


20.9.11

94. MY LITTLE CONTRIBUTION FOR GORMAN SS 2011.





You might recall me talking about the shoot titled Carousel where I dismantled some foam picked up from Clarke Rubber and carved them into shapes. Then wrapped hair around them to form headpieces for the models to wear. Bespoke headpieces to the model’s exact hair colour and head shape. It’s painstaking stuff that kept me up for nights on end. The end result was better than I expected and I was eager to get involved in some more needle and thread.




I call this Kraft Work.

After a drunken chat around a kitchen table with the lovely Girl’s from Gorman (cult Melbourne based fashion label) I was enlisted to produce a Carmen Miranda style headpiece that involved fruit but done in a modern way to be shown at the upcoming Melbourne Spring Fashion Week 2011, something that wouldn’t distract from the outfit and something that wouldn’t look kitsch.

Not knowing if this was just the tipple talking or if they thought I could pulls this off I set off to procure the best looking fake fruit I could buy and thought about how I could secure them on an unknown model’s head with no trial and 72 hours notice.

However, you can see the results for yourself.

Swimwear from Gorman. Image taken from fashionising .



20.6.11

93. A TRUELY INTIGUING SUBJECT- ANNE CATHERINE FREY



I totally dig it when a client brings me a photo of the haircut they want. I really do.

Chances are you have already seen MS. ANNE CATHERINE FREY’S photo on of the many street style blogs. Or you have been following very popular blog called A TRULY INTRIGUING SUBJECT. And I’ve been meaning to write a few words on her haircut, not so much as to talk about how popular “boy short” haircuts are at the moment but as a visual reference for those readers who have been searching the Internet for a haircut to show their hairdressers.

I really do appreciate a client who brings in photos of haircuts they would like. It’s as if they have done their homework and gives me a better idea on what they are after.





Further reading on SHORT HAIRCUTS and BOWL HAIRCUTS.

18.5.11

90. Ara Gallant. Hairdressing Hall Of Fame.





Twiggy- flying hair.


Ok, so you watched the video on the previous post called "flying hair" now you can see where the idea came from.

Ara Gallant was born Ira Gallantz in 1932 in the Bronx, but later changed his name because he felt Ara Gallant sounded more exotic. And the life he led was, indeed, an exotic one. Gallant started his career in fashion as a hairdresser, working at Bergdorf Goodman as one of New York’s top colorists. By the mid-1960s he was approached by Vogue and began working exclusively as hair-stylist on photo assignments. In fact, he was the first hair stylist to be paid for such work. Today we call that a "session hair stylist".

Gallant worked with many of the great fashion photographers of the period, Richard Avedon, Irving Penn and Bert Stern, among them. His most notable contribution was the introduction "flying hair" a visual gimmick he first used on an Avedon shot with Twiggy in 1966. The effect is still widely copied today.



Angelika houston

Sophia Loren




By the early 1970s Gallant began shooting picture himself. His first assignment was celebrity portraits for Interview magazine. His work often juxtaposed classic Horst-like compositions with contemporary scenarios. In the early 1980s Gallant moved to L.A. to lead with his friend Jack Nicholson and to pursue a directing career. It never happened, in the 1990's he committed suicide in a hotel room in Las Vegas.




Sissy Spacek






Drew Barrymoore



Ara Gallant










9.5.11

89. Thousand Frames Per Second.







In this amazing video internationally renowned hairstylist Sam McKnight teases out the unseen calm in two seconds of a thrashing blonde mane in this slow-motion film shot by photographer Matthew Donaldson. As his model daughter Lily Donaldson spins 360 degrees, her hair buffeted by four wind machines, Donaldson stretches two seconds into two hypnotic minutes, capturing every exquisite movement at 1,000 frames per second. In a world where technology is increasingly maligned for encouraging us to hide from reality, there is a welcome irony here: Using the super-high definition Phantom Gold HD—a camera initially developed for monitoring missile flights—Donaldson distills a hyper-real tranquility. The film is also a paean to Ara Gallant, one of the great session hairdressers of the 1960s and the inventor of the “flying hair” technique.




3.4.11

88. One To Watch- Arizona Muse






Introducing Arizona Muse

So I’m not the only one jumping on the “A. Muse” bandwagon, but for me, it's about the simplicity and versatility of her haircut.

After all isn’t that what a great hair is all about?

Arizona Muse started her career as a fashion model in 2008 as a long-haired blonde. However, she did not receive any significant attention from the fashion world until 2010 when she returned after her bady was born as a brunette with medium length bobbed hair.

The term MILF springs to mind.

High praise from American Vogue editor Anna Wintour stating in the February 2011 issue: "When I look at Arizona, I see shadows of Linda Evangelista and Natalia Vodianova but most of all I see her, a gorgeous, smart, grown-up. And how could anyone resist someone with that name?"






Further reading bob hair.

30.3.11

87. Know Your Product- Eugène Schueller





Those of you who have been following HEADS WILL ROLL will know I'm a sucker for hair-history. So without further ado, let me introduce you to Eugene Schueller, he's like the Godfather of modern hair color.


Eugène Schueller (20th March 1881- 23rd August 1957) a French chemist and a graduate of the Institut de Chimie Appliquée de Paris (now Chimie Paris Tech), discovered p-phenylenediamine and develops a synthetic formula to color the hair in 1907.

This formula is nicknamed “AurĂ©ole“.

On 30th July, 1909, Schueller registers his company, the SociĂ©tĂ© Française de Teintures Inoffensives pour Cheveux ( literally "French Society of Inoffensive Hair Dyes"). The guiding principles of the company eventually became L’OrĂ©al as we know it today.



Controversy.

During the early twentieth century, Schueller provided financial support and held meetings for La Cagoule at L'Oréal headquarters. La Cagoule was a violent French Fasict-leaning and anti-communist group.

*This was extensively researched by Michael Bar-Zohar in his book, Bitter Scent.





Further Reading-


7.3.11

86. Best hair Paris Fashion Week A/W 2011





Best hair for Paris Fashion Week A/W 2011 goes to Guido Palau and Josh Wood, the later dyed the hair for Jean Paul Gaultier towering beehives.

Guido Palau prepped the silver strands the day before the show with loads of Redken Forceful 23 Super Strength Finishing Spray. “It’s the sixties Hitchcock feeling that’s been around a lot this season, but we’re taking it to a Gaultier level,” which mandated a precise attention to structural detail mixed with a touch of humor -fun hair swirls were sculpted above bangs and molded into sideburns.

Read more about Gray hair.
Best hair at Fashion Week.










Photos by Luca Cannonieri for GoRunway.com

14.2.11

84. Holiday in Cambodia- Street Barber.




On a recent trip to Cambodia I passed by a barber on Street 240 Phnom Penh near my hotel. I approached him and pointed to my camera, he smiled and nodded while pointing to a sign saying “$1 haircut”.

I love the simplicity of his operation; it’s like a “pop-up store” that can be taken down at the end of the day. No appointment books, no computer screens, no garish hair products on display. It’s just him on the street armed with some scissors and a mirror.

Further reading on barbers and Phnom Penh, Cambodia.



13.2.11

83. Prema Love- A modern salon.




Meet Francesco Ruggerino as we talk about his salon Prema, the Australian Hairdresser's Council and what a modern salon should be.

This article was publish first at Style Street.

First of all congratulations on being nominated “best new salon design 2010”, could you tell me a little bit about the thoughts behind the design?

Unfortunately we did not win it, but we were finalists. Prema Salon was built to house all of our Education and Creative work. We have a large salon at Bondi and the new Surry hills salon is designed to facilitate the career path growth of our people through Education, Photographic and Management. The salon is a full working salon, Education space and Photographic studio. All our Website, Communications and Production are done in house through this salon.

I have noticed the use of raw and recycled material in the salon, how important is sustainability to Prema Salon?

We use raw materials to promote not only environmental sustainability but also our career and business sustainability. Everything we do is centred on sustainability and how we can continue to make thing work successfully time and time again over a long period of time.

Francesco, your not a hairstylist, how did you get involved in the hairdressing business?

I met a hairdresser and bought a salon with him. Over time we went our own separate ways but I learnt that my strength was in bringing hairdressers together successfully and contributing organisational skills to creatives and helping them with numbers, figures and money.




What advice would you give people who are about to open a salon of their own? What advice would you give to those who are opening their second salon?

First Salon – open somewhere where you can build a clientele quickly, make the salon look hot so people notice you and give people extraordinary service.

Second salon – Know exactly why you are opening the salon and remember why when things get tough, promote your good staff and get rid of any problem staff before moving onto salon number 2.

A salon in today’s market needs to be more than just functional and a place where you can buy shampoo. What is your opinion are the key ingredients to a modern salon?

You have to offer a point of difference in the way it looks and feels and the way that you perform hair, the service needs to better than anyone else’s and you need to do extra for people so as to give them a reason to come back to you. Also, you need to look after your people so that they want to be there, this will give your salon the edge it needs.




You run two salons, how do you keep and motivate staff? What do you look for when recruiting new staff members?

Keep staff by creating a warm and friendly environment and culture, focus on their career growth and help them to become better at what they do.

When recruiting new people I look for people who love hairdressing and people who no matter how good they are they still want to be better. I also look for people who not only talk the talk but also walk the walk. I like humble people that are really good at what they do.

You’re a member of the Australian Hairdressers Council, could you tells us a little about that and what your involvement within the council is?

I spoke to Anthony Wynn-Hollscher, the founder and chairman of the A.H.C about 3 years ago re the A.H.C Immediately I was inspired by the concept of bringing us together and creating a more successful industry. I have been incredibly lucky to be able to work alongside some of the most admirable people in our industry whose dedication and commitment is contagious. I currently sit on the board as the Vice Chairman and together with other members of the working committee we are now rolling out the AHC pilot programme.




What do you feel are the problems facing the hairdressing industry right now?

We are not attracting enough good young kids to the industry. This is the main thing we need to address. If we can attract more people that have a strong desire to do hair then we can excel as an industry.

Your web page, Facebook, twitter, how has the Internet helped your business?

It has helped by creating a more widespread awareness of what we do and also it has helped attract great staff and clients.

Prema

Bondi Junction p 9389 8080

Surry Hills p 9360 8080