Showing posts with label wigs. Show all posts
Showing posts with label wigs. Show all posts

12.3.13

100th POST- GORMAN 2012

GORMAN 2012


Ok I admit, I have been neglecting this little blog of mine.  I have been so busy setting up my new salon Saint Louie Hair that I didn't have time to look after Heads Will Roll. But I shan't be talking about that now.

Here's some wig work I did for the lovely people at GORMAN. Its the Swimwear High Summer 2012 collection and as you can see for yourself.





7.3.11

86. Best hair Paris Fashion Week A/W 2011





Best hair for Paris Fashion Week A/W 2011 goes to Guido Palau and Josh Wood, the later dyed the hair for Jean Paul Gaultier towering beehives.

Guido Palau prepped the silver strands the day before the show with loads of Redken Forceful 23 Super Strength Finishing Spray. “It’s the sixties Hitchcock feeling that’s been around a lot this season, but we’re taking it to a Gaultier level,” which mandated a precise attention to structural detail mixed with a touch of humor -fun hair swirls were sculpted above bangs and molded into sideburns.

Read more about Gray hair.
Best hair at Fashion Week.










Photos by Luca Cannonieri for GoRunway.com

1.3.11

85. Carousel.






I've been thinking a lot about this shoot I did way back in 2001. There's a bold simplicity in the hair that I have been trying to recapture.

More hair by Jean-Paul Rosette, click here.



7.11.10

78. BLUNT FRINGE- THE AGE MELBOURNE MAGAZINE.



I was quoted in "The Age Melbourne Magazine" last month which made my head swell for the good part of a week. That's not me pictured above by the way. So, if you missed it, here it is again.

Thanks to Felicity Lewis for the article and Indianna Foord for the photos.



Melbourne Women seem to have embraced the blunt fringe at the moment more than ever before. Why? One answer is, Abbley-Lee Kershaw. The Melbourne model has been wearing a thick fringe on catwalks this year, on stage in New York for a guest spot with her boyfriend's rock band, and in Vogue Nippon in leathers, after the fashion of Marrianne Faithfull in the 1968 film Girl on a Motorcycle.

Fringes- or bangs, as they are known in the states- have always created a bit of frisson. In first-century Iberia (once part of Spain), the musician Zirab apparently caused a stir by cutting a fringe down to his eyebrows when the key look of the daywas shoulder length with a centre part. Fast-forward to the 1960s and you have Vidal Sassoon shaking up the old order by giving Mary Quant a shiny wash and wear bob with fringe (which hairdresser as Sassoon protege Bob Leopold brought to Melbourne women).

Our interviewees were inspired by various icons: actor Louise Brooks and her "flapper bob; retro pin-up girls such as Betty Page; whose curled-under bangs caused a sensation in the 1950s. And tousled fringes are the big part of the rock'n'roll look - think Chrissie Hynde and Chrissy Amphlett for starters.

Hairdresser Jean-Paul Rosette, from Worksense, says the 2010 breed of fringe has a "new edge". "It's heavier, it's blunter, it's eye skimming, it's more deliberate than those side-sweepy numbers that have been happening for a while". He speculates that the look has been given a nudge more recently by the likes of the actor Zooey Deschanel, and the model Lou Doillion, whose mother, Jane Birkin and step sister Charlotte Gainsbourg have worn fringes well.

"Your eyes are exactly halfway between the top of your head and your chin," says Rosette, "so to have a long fringe is to cover half your head- it's a bit hide-and-seek, it's a bit fun, it's a bit mischievous. It's quite cool." He says there is a fringe for everyone- unless your hair is very curly- and the trick to keeping them looking smart is to have a five minute trim every three weeks.

A possible side benefit: fringes cover frown lines on your forehead, points out writer Alice Thompson in an article in The Times this yea, "Are fringes the New Botox?" And if you're not sure about taking the plunge, clip-on fringes from Celebrity Wigs are a snip at $30.






You can read my other article on Fringes titled "BIG BANG THEORY" by clicking here.



21.9.10

71. Hair Hats














This post written by me originally appeared in The Hub Magazine.


The fashion and beauty industries can take themselves too seriously sometimes. They too want you to take it seriously. But fashion, by it very nature, can be a fickle little mistress. It thrives on the pursuit of the short-lived. The desire to possess and be a part of what is new is never satisfied. There is always something on the horizon. Wearable art, though, claims to be a thing apart from fashion. It represents an attitude toward self-endorsement based on a desire to collect beautiful objects that are displayed by being worn. I mean why on earth do we spend so much time and money worrying about our appearances and by what brand is stitched in the lining? Isn’t it supposed to be fun?

Enter Nagi Noda and her “Hair Hats” like a breath of fresh air. Nadi Noga started as a graphic designer creating print advertisements, cd sleeves and book covers. Her skills and growing notoriety allowed her to start her company ‘Uchu Country’ and attracted the interests of major companies like Nike and Coca Cola. Despite her young age, she left behind an impressive variety of whimsical projects. Some examples include music videos for artists like the Scissor Sisters and Tiga, an extensive ad campaign and paper bag designs for Laforet Harajuku, and her line of Hanpanda (half panda, half other creatures) stuffed animals. Other works include direction of a TV advertisement for Coca-Cola with music by Jack White, and a collaboration with Medicam Toy to produce Nagi Noda of Be@rbrick fame.

However, we are here to talk about her project that is close to my heart. The Hair Hats. In the tradition of cutesy-kitch Japanese Pop art, or J-Pop as it is fondly known, these animal hair hats pictured above, are not made from fuzzy animal hair, but rather, are made from human hair wefts from India to take the form of animals. These incredibly detailed hair sculptures, photographed here by Kenneth Cappello, are not actually made from the models' own hair, with features like the eyes and snouts stitched on, which means that this might be a unique design that we may see on the market soon, or at least on the catwalks. Lady Gaga who loves a bit of wearable art was seen wearing one of Nagi’s Hair Hat designs for a photoshoot.

















Tragically, Nagi died on September 7th 2008 at age 35, after surgical complications from injuries sustained in a traffic accident the previous year. The music video for “Hearts On Fire” by Cut Copy was the last video she made.

It has to be noted here that unlike myself Nagi wasn’t a hairstylist. However she took all the principles of the hair trade and made them uniquely her own with more thought than hair product.

Just Like Grand Wizard Theodore, a non musician who is credited for inventing “scratch” synonymous with dj and hip hop culture, sometimes it takes an outsider or non-professional to take a different approach to change a whole hair and beauty industry as we know it.






15.9.10

70. A story about Hair Extensions




This is a very long post, like make yourself a cup of tea long.



On a typically hot day on West Mahal Road in a town called Tirupati, South India, a thin woman with big brown eyes named Amrita Mayekar is walking purposefully – making her long pilgrimage to Lord Venkateswara at one of the many temples. Today, not unlike every other day she is wearing a bright fuscia Shalwar and matching kameez in the tradional manner. Her offering to Lord Venkateswara today will be her crowning glory; her long lustrous hair that has been freshly washed this morning with gooseberry oil and is braided neatly. Little does she know that this simple religious act will reverberate around the world.

We follow Amrita Mayekar’s journey to one of the many temples in the area and watch her take a dip in a tank called Swami Pushkarani, located outside the temple. Legend has it that Swami Pushkarani was the tank of Lord Vishnu and is a sacred tank in which visitors must bathe before being allowed in the temple. Now freshly washed, she is ready to take part in a religious ceremony called 'Tonsuring', where women must shave off their hair as a sacrifice to the God Vishnu. The woman named Amrita Mayekar, wearing her bright fuchsia Shalwar and matching kameez believes that taking part in this ceremony is a symbol that she is willing to give up her pride and vanity, and to ask the Gods for health and happiness in the future.

Amrita Mayekar sits cross-legged on the ground and bows her head before Mr. Ravi Shankar seated on a small plastic chair. He is one of the 600 official barbers who work for the temple and it’s administration, Tirumala Tirupathi Devasthanamsand (or TTD as it’s known locally). He earns R10,000 (£140) a month shaving up to 35 men, women and children’s heads each day. He is also entitled to free accommodation for his family, free food cooked at the temple, and a bus pass to travel up to the hill upon which the temple is located. Mr. Ravi Shankar wets her hair and ties the strands into bunches. He then makes brisk work out of shaving Amrita Mayekar’s hair. Occasionally pausing, the barber dips his razor into a cold soapy bucket to remove the fine strands of hair then goes back to the business of shaving. Even the tiny hairs on her nape are clean, hair-free and glistening. The whole ceremony takes five minutes.



Amrita Mayekar’s hair is collected by various temple workers who bundle it into big burlap sacks, which are already filled with other hair, and is taken to a hut-shaped warehouse just behind the temple's main office – a short walk away. These sacks containing Amrita Mayekar’s wet hair are placed next to hundreds of over flowing sacks with similar contents. Then, young temple workers go about their daily business by placing thousands of these bundled wet hair sacks on the rooftop where all the hair is laid out side by side and sun-dried.

Once all the hair is dry, it is sold to a well spoken young man with a goatee called Mr. Balsara of SDTC Exports. The exact amount is uncertain, but it is estimated that Mr. Balsara buys a burlap sack for 4,200 Rupee (£60), filled to the brim with the ceremonial offering. One of these sacks containing Amrita Mayekar’s hair is taken to a factory in Bungladore, where Indian woman in white lab coats and face masks sit and have the daunting task of sorting the tonnes of hair into colour tones. In another part of the factory young women are sorting hair into different lengths.



From here the hair is boiled in 120-degree water, dried again and loaded onto ships destined for another factory in the city of Zhaoyuan, China, where Amrita Mayekar’s hair is mixed in with Chinese hair. It is then sorted and chemically coloured into 54 different shades of red, blonde and brunette. Some of this pre-coloured hair goes to a company called Hangzhou Starshine Pharmaceutical in China, where the hair is mixed with animal parts to be broken down into an amino acid, which is then used in some bakery goods.

From China, some of Amrita Mayekar’s hair is packaged into long plastic bags and sold to a well-groomed Englishman called Mr. Gold, who owns a company called Great Lengths. Mr. Gold ships some of Amrita Mayekar’s hair along with millions of other wefts of hair in various lengths and colours to all parts of the world, including the U. S. A., Canada, Brazil, Australia, New Zealand, Russia, Hong Kong, the United Arab Emirates, South Africa, the Caribbean, Japan, Mexico and most of Europe. Some of Mr. Gold’s friends say he deals with a product called “black gold” or virgin untreated hair.

Mr. Gold Sells Amrita Mayekar’s hair to a wholesale shop called ‘Hair Development’ situated on the Mile End Road in Stepney Green in East London, where some of her hair is shelved and displayed. A charming hairdressing salon owner called Simon Forbes of ‘Antenna Hair Salon’ buys the hair and expertly places strands into some of his celebrity clientele coifs. Today a woman named Tamsin Williams proudly steps out of ‘Antenna Hair Salon’ after her hair is cut, styled and colored, a thicker, shinier and healthier mane of hair than she walked in with. A huge smile is on her face as she sees her own reflection in a shop window with the dream hair she always wanted. One thousand pounds well spent for her upcoming wedding day.

The rest of Amrita Mayekar’s hair is whisked away to the other side of the world, to 245 West 18th Street, New York, to a place called ‘Picture Ray Studios’ by legendary hairdresser Guido Palau, sporting his trademark five-day-growth beard. He will curl, crimp, tease and colour match the wefts of hair, then bind them into the hair of a svelte model in a whimsical outfit, who goes by the name of Daria Werbowy. Her new hair is piled high and wide into a modern day Elizabethan hairdo with high drama. A giant fan is moved in closer to Daria, to create a gentle breeze, the effect on her hair and blouse has a fluid graceful movement, all in front of the sharp eye and camera of a photographer named David Sims. With every flash that pops and whistles, Daria Werbowy moves into a different pose, staring straight into the barrel of David Sims’ camera as he makes rapid-fire suggestions to Daria while a song called “VCR” by the band XX is blaring on the sound system. At a later date, at a building called Conde` Naste, near Times Square New York, seated at a sleek desk, a rather stern woman with dark glasses, sharp bobbed hair and a stoic expression will approve these photos and the elegant hair that Guido Palau has created. They will be a part of fashion spread in a magazine called Vogue.



Back to Amrita Mayekar in Tirupati, India – she made a pilgrimage to a temple to perform a ceremony to put aside her own pride and vanity, and to ask the Gods for health and happiness in the future. As it turns out not only her health and happiness is achieved. At T.T.D, auctions of human hair fetched revenue of $25 million for the temple in 2007. TTD in turn gives free accommodation in Tirumala and Tirupati to pilgrims. It also provides free meals. The canteen has a capacity to feed 20,000 pilgrims a day. TTD also has more than 12 colleges and schools, as well as two hospitals.

And what of the estimated circulation of 1.2 million Vogue magazines distributed monthly around the world. The fashion industry it inspires and supports makes $400 billion a year and creates millions of jobs for young creative’s such as make-up artists, fashion designers, hairdressers, illustrators, fashion writers, magazine editors, fashion buyers, advertising agencies, and fashion bloggers, to name a few. The American cosmetics and beauty industry alone totals over $20 billion in sales and is dominated by hair and skin care products that are heavily advertised in print and on television, creating even more jobs.

Little does Amrita Mayekar know how much happiness she has given, and financial benefit to the town of Tirupati and the rest of the world. Her simple selfless act has and will reverberate around the world.





14.6.09

Little Tailleur



I used a wig for this shoot. 
The key for making a wig look real is to bind the model's head as closely as possible. 
Here is a brief "how to" guide.

  1. Brush hair
  2. Secure with pins flat to the head
  3. Wrap head with medical gauze while removing pins
  4. Tape gauze down
  5. Cover model’s face with towel
  6. Spray dark hair spray of gauze
  7. Gently place wig and adjust
  8. Secure adjustments at the back of wig
  9. Thoroughly brush wig.
  10. Cut to suit model.
  11. Use gloss to style
  12. Use fringe pins to add texture


Please visit 
www.littletailleur.com.au
 for the complete shoot.